We exist between the anxiety of the unknown future and the nostalgia of the familiar past, says Aida Muluneh.

By Sarah Moroz (Lens | The New York Times) |

Aida Muluneh spent a peripatetic childhood in Yemen, England, Cyprus, Canada and the United States before settling in the States to study and become a photojournalist. She returned to Ethiopia, the land of her birth, about a decade ago, where her work addresses issues of women, African identity and the connection between heritage and homeland. Her photos feature decorative body paintings that reflect Ethiopian culture or traditional fabrics and baskets and reflect her own life’s journey.

“We exist between the anxiety of the unknown future and the nostalgia of the familiar past,” Ms. Muluneh said. “We bear the burden of our duality.”

She is among the artists in “Afriques Capitales,” which is on view from March 29 to May 28 in Paris, before it travels to Lille, near the French boarder with Belgium. The show — a subset of the “100% Afriques” festival — is a sampler of the continent’s contemporary artists, from Akinbode Akinbiyi to Hassan Hajjaj to William Kentridge. The works are exhibited within the iron-and-glass cultural center in the Parc de la Villette — once the site of a slaughterhouse — and outside, in the park itself.

Ms. Muluneh was born in Ethiopia in 1974, but her mother soon took them out of the country after the ouster of Emperor Haile Selassie. They moved often in search of a better place to live to provide a good education for Ms. Muluneh.

Continue reading this story on Lens | The New York Times
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